I think when I feel I’m at my best is when I’m on stage, and it’s my version of jazz because it’s just riffing or something.
BILLY CRYSTALWhat’s so fascinating and frustrating and great about life is that you’re constantly starting over, all the time, and I love that.
More Billy Crystal Quotes
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Kids need a happy household. They need to be loved and supported in their dreams. And I don’t think you can make your kids’ dreams your own. They need you to support them in their dreams.
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When we had the girls, my daughter Jenny gave us like a Bible from my daughter of, “Don’t feed them this; don’t feed them that, if she says this, don’t say that,” It was crazy!
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From the first time I saw Sid Caesar be funny I knew that’s what I had to do.
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You give up your dream, you give up.
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What’s so fascinating and frustrating and great about life is that you’re constantly starting over, all the time, and I love that.
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Women need a reason to have sex, men just need a place.
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Good news, they found Nemo! The bad news is, they found him in one of Wolfgang Puck’s puff pastries.
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Nothing can take the sting out of the world’s economic problems like watching millionaires present each other with golden statues.
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I was introducing [director and producer] Hal Roach – Mr. Roach was 100 years old, he was one of the fathers of early days in films, he put Laurel with Hardy, he created the Our Gang kids, and all these silent movies he did – he was a giant.
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In high school, I was the class comedian as opposed to the class clown. The difference is the class clown is the guy who drops his pants at the football game, the class comedian is the guy who talked him into it.
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Did you ever reach a point in your life, where you say to yourself, ‘This is the best I’m ever going to look, the best I’m ever going to feel, the best I’m ever going to do,’ and it ain’t that great?
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Nobody is more truthful when he’s acting than De Niro.
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You really have to have some muscle to be on the stage in front of the world.
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[I did impressions] of relatives because I heard so many different sounds. My dad was in the music business and of course my uncle was a giant [music producer], but my dad in particular had the house filled with these Dixieland jazz stars.
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A laugh is a weird sound, and when you get a couple thousand people making it at once, it’s really strange. But when I can feel proud of myself for causing it, it’s great.
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There’s only, I think, in life, three things that I do pretty well: Performing, I still can field ground balls, and I make nice kids.
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That’s why that show, no matter who hosts it, it really should be a fast-thinking comedian who is really quick on their feet that can handle situations that happen, or somebody with that kind of mentality that can capitalize on something.
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At 60, I could do the same things I could do at 30, if I could only remember what those things are.
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I have 40-something intros [that Davis Jr. did]; all are different, none of them happened. And it was hilarious.
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I’d like to think there is a Heaven, and it starts from the happiest day in your life.
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That’s the thing about jazz: it’s free flowing, it comes from your soul.
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Bambi, to a kid, was scary.
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Don’t give up your power.
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You have to always remember they’re not your own kids. Play with them, love them, spoil them to death – then hand them back.
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I always came away thinking “I’d like to see her more,” you know? And then when [Parental Guidance] was ready to be cast, we thought – Bette [Midler]. So we called her.
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I started examining history and then everything related to the theater. History, art, all the other studies, if I could link them into the theater, then it became alive for me. It just opened up my eyes.
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