I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
BEN KINGSLEYYou cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.
More Ben Kingsley Quotes
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Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it’s a science. It’s neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.
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The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
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It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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Filming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.
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I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
BEN KINGSLEY