“There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.”

If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.

If your best friend has stolen your girlfriend, it does become life and death.

I didn’t go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.

When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.

There’s so much crap talked about acting.

I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.

There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.

I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.

Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.

The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!

As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.

I try and reduce myself to an almost blank slate and hope to God that I am creative.

You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.

I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.

Filming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.

I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.

I have never been able to understand why perfectly sensible people waste time being wittily obscure instead of just saying what they want and going on about their business.

When you realise that ugly typography never effaces itself, you will be able to capture beauty as the wise men capture happiness by aiming at something else.

Putting a label [homosexual] on myself was a big step forward…once I said, ‘Yes, that’s me, that’s what I am,’ I was able to work with it.

If all we are allowed is hours, minutes, I want to be able to etch each of them on to my memory with exquisite clarity so that I can recall them at moments like this, when my very soul feels blackened.

Once you start rewriting, you’re not able to stop. With each draft the fundamental banality and worthlessness of the material becomes more evident even as its vitality and spontaneity are drained from it.

If you are able to explain suffering, a man once told him, you weren’t really there.

You never know what’s going to happen. That’s why I like acting. It’s precious to me to be able to live more than one life.

No doubt that the U.S. is a super-power capable of conquering a relatively small country, but is it able to control it?