“I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.”

I always try to find something I admire about every character I play.

I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.

There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.

I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.

I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.

The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.

I think if I were to go back on stage I might be in great danger of acting.

In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.

The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.

I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.

You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.

I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.

The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.

All the great writers root their characters in true human behaviour.

We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.

some actors seek parts similar to their personalities. But, I prefer undergoing a metamorphosis that depends on the role .

I don’t believe in leaving a scene in because it was really hard to shoot, or because it’s the reason you took the movie, or because you always wanted to work with an actor . . . If it’s not making the movie work, get rid of it.

Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.

As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.

Some of my oldest friends are actors. But that’s not the only place my friends come from.

Johnny Depp is one of my favorite actors because he takes chances.

To have a songwriter that wrote so specifically what I felt to be true… I’ve never been much of an actor either. If something is real for me, then I can do it.