I think that various styles and methods and approaches are an invention of people who don’t understand the process of acting and who try very hard to label things.
BEN KINGSLEYThere’s so much crap talked about acting.
More Ben Kingsley Quotes
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.
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As a singer, I might have fallen among thieves. I wonder if I’d still be alive by now.
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There have not been any troughs as regards my work. There’s never been a trough of my assurance.
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Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.
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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
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One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
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I think that most actors attempt to keep in touch with the child.
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There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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The biggest surprise in a man’s life is old age.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
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I always try to find something I admire about every character I play.
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Well, it’s wonderful to be identified strongly with my work.
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I try and reduce myself to an almost blank slate and hope to God that I am creative.
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But comedy I’d love to do as much as humanly possible.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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It’s Sir Ben. I’ve not been a Mister for two years.
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Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.
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All the great writers root their characters in true human behaviour.
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You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
BEN KINGSLEY -
In England, it’s now Sir Ben. Mister has just disappeared. It’s not even on my passport anymore. They’ve taken Mister away from me.
BEN KINGSLEY