I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
BEN KINGSLEYAll the great writers root their characters in true human behaviour.
More Ben Kingsley Quotes
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I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
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It’s Sir Ben. I’ve not been a Mister for two years.
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As a singer, I might have fallen among thieves. I wonder if I’d still be alive by now.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
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When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
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Hamlet is an astonishing intelligence.
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But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it’s a science. It’s neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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If your best friend has stolen your girlfriend, it does become life and death.
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I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.
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I always try to find something I admire about every character I play.
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When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
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In cinema, the leading player is the director.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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I think that various styles and methods and approaches are an invention of people who don’t understand the process of acting and who try very hard to label things.
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I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
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Filming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.
BEN KINGSLEY