“All the great writers root their characters in true human behaviour.”

I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.

The biggest surprise in a man’s life is old age.

If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.

I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.

The trick is to try and justify every word on the page and make sure my character is the man who would say that.

Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.

I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.

When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.

I always try to find something I admire about every character I play.

I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.

There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.

I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.

I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.

The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.

I think if I were to go back on stage I might be in great danger of acting.

Balance for me now means seeing myself as a tree, being strong enough in my roots and trunk to not be a pushover, but being flexible enough in every circumstance not to break. I am continuing to expand, but not any faster than my roots can support me.

You’re not going to hear me do a rap song, you’re not going to hear me do a jazz song. We have to be true to our roots, do what we do, and try to do it a little better each time.

Agriculture is the greatest and fundamentally the most important of our industries. The cities are but the branches of the tree of national life, the roots of which go deeply into the land. We all flourish or decline with the farmer.

It may be that some little root of the sacred tree still lives. Nourish it then, that it may leaf and bloom and fill with singing birds.

Humanity has known for a long time what fractals are. It is a very strange situation in which an idea which each time I look at all documents have deeper and deeper roots, never (how to say it), jelled.

In the 50 years I’ve spent helping people to overcome illness, disability and disease, it has become crystal clear that poor bowel management lies at the root of most peoples’ health problems.

We’re actually saying, here’s a principle that I’d like to arc toward. That’s a very different role in life. I didn’t expect [Barack] Obama to go to the root of things. I didn’t expect him to have a principled position on anything. I mean, just pay some moderate attention to the guy.

I was put into office by the people who believed in my idea that corruption is the root of poverty; that an end to corruption would mean an end to poverty.