“I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.”

We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.

They’re a very strange lot actors, very strange people.

The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.

I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.

It’s Sir Ben. I’ve not been a Mister for two years.

You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.

I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.

One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.

Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.

I think that most actors attempt to keep in touch with the child.

My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.

Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.

I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.

I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.

But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.

But comedy I’d love to do as much as humanly possible.

Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It’s not for the acting, that’s for sure.

I’m always happy when actors get rich, because the odds on it are so long!

Don Knotts won five Emmy Awards for Outstanding Performance in a Supporting Role by an Actor or Actress in a Series [in Andy Griffith Show] in 1961, 1962, 1963, 1966 and 1967.

I think if actors don’t think of themselves as funny in real life they think they can’t do comedy.

It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.

There are no small parts. Only small actors.

Kevin Feige said to me: “I don’t think we’ve ever put an actor through quite as much as this, physically and mentally.” I’ll wear that as a badge of honour. It was endless.

I feel that TV and film feed off each other well. It’s more in the perception of the viewer than it is of the actor.