I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs – so I’m totally immune. I live in a bubble.
BEN KINGSLEYThe many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
More Ben Kingsley Quotes
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All the great writers root their characters in true human behaviour.
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Filming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.
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I try and reduce myself to an almost blank slate and hope to God that I am creative.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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If it’s a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it’s usually a reaction to something else.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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It’s Sir Ben. I’ve not been a Mister for two years.
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I have a rather naive approach, I think, to my job.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
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I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
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You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
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It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
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Sometimes it’s right to do the wrong things and right now is one of those times.
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I don’t honestly think people know what acting is.
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I hope I’m able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I’m reducing, rather than adding. Which hopefully is a good exercise. That’s what I’d like to do.
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The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
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Millions of children are disempowered and we need to empower them.
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But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
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If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
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The biggest surprise in a man’s life is old age.
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The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.
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I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
BEN KINGSLEY