There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
BEN KINGSLEYI would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.
More Ben Kingsley Quotes
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If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
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I didn’t go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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I have never felt bereft of anything.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
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If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
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I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.
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I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
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When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
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The biggest surprise in a man’s life is old age.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
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Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.
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I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
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The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
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There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.
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The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
BEN KINGSLEY