You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
BEN KINGSLEYI’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
More Ben Kingsley Quotes
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When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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Hamlet is an astonishing intelligence.
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I hope I’m able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I’m reducing, rather than adding. Which hopefully is a good exercise. That’s what I’d like to do.
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I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.
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Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn’t going to work.
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I think that most actors attempt to keep in touch with the child.
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Filming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.
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But comedy I’d love to do as much as humanly possible.
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I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.
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Well, it’s wonderful to be identified strongly with my work.
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I think that various styles and methods and approaches are an invention of people who don’t understand the process of acting and who try very hard to label things.
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You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
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If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
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The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
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Millions of children are disempowered and we need to empower them.
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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
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I always try to find something I admire about every character I play.
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I don’t honestly think people know what acting is.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
BEN KINGSLEY -
The biggest surprise in a man’s life is old age.
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I think if I were to go back on stage I might be in great danger of acting.
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There have not been any troughs as regards my work. There’s never been a trough of my assurance.
BEN KINGSLEY