I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
BEN KINGSLEYI think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
More Ben Kingsley Quotes
-
-
I think if I were to go back on stage I might be in great danger of acting.
BEN KINGSLEY -
If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
BEN KINGSLEY -
In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
BEN KINGSLEY -
I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
BEN KINGSLEY -
I don’t honestly think people know what acting is.
BEN KINGSLEY -
If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
BEN KINGSLEY -
One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
BEN KINGSLEY -
I always try to find something I admire about every character I play.
BEN KINGSLEY -
You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
BEN KINGSLEY -
There’s so much crap talked about acting.
BEN KINGSLEY -
That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
BEN KINGSLEY -
When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
BEN KINGSLEY -
With narration, you have to be very accurate with your voice. It’s a good exercise to do.
BEN KINGSLEY -
Well, it’s wonderful to be identified strongly with my work.
BEN KINGSLEY -
I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.
BEN KINGSLEY -
I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
BEN KINGSLEY -
I didn’t go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.
BEN KINGSLEY -
There have not been any troughs as regards my work. There’s never been a trough of my assurance.
BEN KINGSLEY -
I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
BEN KINGSLEY -
I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
BEN KINGSLEY -
But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
BEN KINGSLEY -
I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
BEN KINGSLEY -
Sometimes it’s right to do the wrong things and right now is one of those times.
BEN KINGSLEY -
The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.
BEN KINGSLEY -
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
BEN KINGSLEY -
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
BEN KINGSLEY