In cinema, the leading player is the director.
BEN KINGSLEYFilming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.
More Ben Kingsley Quotes
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
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I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
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With narration, you have to be very accurate with your voice. It’s a good exercise to do.
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John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
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The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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It’s Sir Ben. I’ve not been a Mister for two years.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it’s a science. It’s neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn’t going to work.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.
BEN KINGSLEY






