When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
BEN KINGSLEYIn cinema, the leading player is the director.
More Ben Kingsley Quotes
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I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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Hamlet is an astonishing intelligence.
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Filming is so much to do with rhythm, as is music, and if it isn’t there then you know in the end nobody can save it really, they can’t.
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I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs – so I’m totally immune. I live in a bubble.
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There’s so much crap talked about acting.
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Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
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When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
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The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
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You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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I always try to find something I admire about every character I play.
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The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
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I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
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Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
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I have a rather naive approach, I think, to my job.
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With narration, you have to be very accurate with your voice. It’s a good exercise to do.
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The biggest surprise in a man’s life is old age.
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I have never felt bereft of anything.
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They’re a very strange lot actors, very strange people.
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But comedy I’d love to do as much as humanly possible.
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As a singer, I might have fallen among thieves. I wonder if I’d still be alive by now.
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I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn’t going to work.
BEN KINGSLEY