“First of all, just to get Diner made would have been an achievement in that I got a chance to direct.”

I always think that there is the good and the bad of it all.

I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.

I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”

I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.

When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.

Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.

I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.

All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.

It’s always hard to explain why an audience ultimately responds to a movie.

You have a movie and it proves itself and then certain things happen.

There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.

I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.

I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.

You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.

The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.

My first assistant-coaching job in football was at William & Mary in 1961. The pay wasn’t much, so to get $300 more per year.

A visual always brings a first impression. But if there’s going to be a first impression.

In the first English class I attended, Prof. E. H. Elliot, addressing me, asked if I really belonged to the Junior B. A. class, and I had to answer him in the affirmative. He then proceeded to inquire how old I was.

The greatest development is achieved during the first years of life, and therefore it is then that the greatest care should be taken. If this is done, then the child does not become a burden; he will reveal himself as the greatest marvel of nature.

My first encounter with the ocean was on the Jersey Shore when I was three years old and I got knocked over by a wave.

In 1967, I had my first black girlfriend, and a lot more ever since then. I just don’t understand racism.

The first idea the child must acquire is that of the difference between good and evil.

In the first three years of life, the foundations of physical and also of psychic health are laid. In these years, the child not only increases in size but passes through great transformations.