No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
BARRY LEVINSONYou have a movie and it proves itself and then certain things happen.
More Barry Levinson Quotes
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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I think test screening works at its best when the audience knows what it’s getting.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I always think that there is the good and the bad of it all.
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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You have a movie and it proves itself and then certain things happen.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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As soon as digital editing came about, I immediately made the switch to digital.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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