All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
BARRY LEVINSONI think test screening works at its best when the audience knows what it’s getting.
More Barry Levinson Quotes
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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There’s no downside to having too much experience.
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It’s always hard to explain why an audience ultimately responds to a movie.
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I think test screening works at its best when the audience knows what it’s getting.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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As soon as digital editing came about, I immediately made the switch to digital.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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I always think that there is the good and the bad of it all.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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You have a movie and it proves itself and then certain things happen.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSON