I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
BARRY LEVINSONThe interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
More Barry Levinson Quotes
-
-
I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
BARRY LEVINSON -
I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
BARRY LEVINSON -
You don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSON -
I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
BARRY LEVINSON -
They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
BARRY LEVINSON -
When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
BARRY LEVINSON -
I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSON -
Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
BARRY LEVINSON -
No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
BARRY LEVINSON -
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSON -
There’s no downside to having too much experience.
BARRY LEVINSON -
I always think that there is the good and the bad of it all.
BARRY LEVINSON -
I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
BARRY LEVINSON -
I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
BARRY LEVINSON -
You have a movie and it proves itself and then certain things happen.
BARRY LEVINSON -
I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
BARRY LEVINSON -
Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSON -
Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
BARRY LEVINSON -
I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
BARRY LEVINSON -
All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
BARRY LEVINSON -
I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
BARRY LEVINSON -
I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
BARRY LEVINSON -
There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
BARRY LEVINSON -
I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
BARRY LEVINSON -
You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
BARRY LEVINSON -
Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
BARRY LEVINSON