Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
BARRY LEVINSONI do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
More Barry Levinson Quotes
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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It’s always hard to explain why an audience ultimately responds to a movie.
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As soon as digital editing came about, I immediately made the switch to digital.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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You have a movie and it proves itself and then certain things happen.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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There’s no downside to having too much experience.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
BARRY LEVINSON