The Deep South might be wretched, but it can howl.
BARRY HANNAHChildren will listen to anything elders say to survive, and if you grew up without an elder telling you there was a god, what did your parents say to you?
More Barry Hannah Quotes
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Literature is the history of the soul.
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Love and despair go hand in hand.
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Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.
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I wake my wife up at 3 a.m. and say, “Listen to this!”
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I distrust thought. The interior life is highly overrated. I don’t like the wispy and the vague… or inductive logic in any kind of writing. I’m impatient with writers who make too much sense. The better things that I’ve done have come to me by instinct.
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A writers job is to destroy and then to build the thing back up again by a chosen means.
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I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.
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The wild stuff is all so overrated. Drinking, you don’t feel good all the time. There’s a lot of down, a lot of misery.
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My stories do have plot. They’re not just scattered language; they’re controlled, toward an end.
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Professional Southerners sicken me.
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The first two drinks were always wonderfully liberating. You think better. You’re braver, and you’ll say anything. If you could just hang in there with two or three, it’d be beautiful. The trouble was I couldn’t.
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I don’t really care about plot; I want to have a page-turner in a different kind of way.
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I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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You’ve got to lie to stay halfway interested in yourself.
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I’ll tell you why I like writing: it’s just jumping into a pool. I get myself into a kind of trance. I engage the world, but it’s also wonderful to just escape. I try to find the purities out of the confusion. It’s pretty old-fashioned, but it’s fun.
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Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That’s a supreme joy. And why the characters keep showing up.
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I wouldn’t buy somebody’s album on a dare if they called him a musician’s musician. I don’t write to be a writer’s writer. I don’t want to be like the little-magazine writer.
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I do believe that as you write more and age, the arrogance and most of the vanity goes. Or it is a vanity met with vast gratitude, that you were hit by something as you stood in the way of it, that anybody is listening.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I’ve had to work against that because it can be a wrecking posture.
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What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.
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I never pulled a loaded pistol on anybody, but it got around that I did. It got turned into lore. It’s a myth. There’s so much bad gun stuff.
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Children will listen to anything elders say to survive, and if you grew up without an elder telling you there was a god, what did your parents say to you?
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My best stories come out of nowhere, with no concern for form at all.
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The point is to strip down, get protestant, then even more naked. Walk over scorched bricks to find your own soul. Your heart a searching dog in the rubble.
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Where is the angry machine of all of us? Why is God such a blurred magician? Why are you begging for your life if you believe those things? Prove to me that you’re better than the rabbits we ate last night.
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The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.
BARRY HANNAH