“I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.”

When you’re not involved, other people’s unhappiness seems to be about the funniest damn thing on earth because you think you can solve it, that you are God, that you are above this, and that their unhappiness is just such useless toil and agony. If it’s you, it ceases to be a comedy.

What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.

I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.

I don’t really care about plot; I want to have a page-turner in a different kind of way.

I found out about reviews early on. They’re mostly written by sad men on bad afternoons. That’s probably why I’m less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.

The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.

I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I’ve had to work against that because it can be a wrecking posture.

Professional Southerners sicken me.

Children will listen to anything elders say to survive, and if you grew up without an elder telling you there was a god, what did your parents say to you?

My best stories come out of nowhere, with no concern for form at all.

I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.

Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.

I wake my wife up at 3 a.m. and say, “Listen to this!”

Voice comes to you through a spell, a trance. The best voices are not you… they’re a little away from you.

I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.

If you are able to explain suffering, a man once told him, you weren’t really there.

Business offers a kind of power, but only to the very successful at the top, and without the dominion and titles and red carpets and motorcycle escorts of public office.

I do love horses, but I’d rather be on motorcycles.

Our cheeky sidekick. We’re like a motorcycle and sidecar.

I grew up on the back of a motorcycle – my dad didn’t have a car until I was a teenager. And then my closest friend from grade school was a guy.

My first car was a motorcycle.