Most novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.
BARRY HANNAHWhat a bog and labyrinth the human essence is… We are all overbrained and overemotioned.
More Barry Hannah Quotes
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When you’re not involved, other people’s unhappiness seems to be about the funniest damn thing on earth because you think you can solve it, that you are God, that you are above this, and that their unhappiness is just such useless toil and agony. If it’s you, it ceases to be a comedy.
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If you are able to explain suffering, a man once told him, you weren’t really there.
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Voice comes to you through a spell, a trance. The best voices are not you… they’re a little away from you.
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I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.
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I do believe that as you write more and age, the arrogance and most of the vanity goes. Or it is a vanity met with vast gratitude, that you were hit by something as you stood in the way of it, that anybody is listening.
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I don’t really believe in a creative-writing major as an undergraduate. It’s a bad idea, terrible. I’ve met creative-writing majors from other places and they don’t know a goddamn thing. They’re the worst students. They just think they’re good because they could pass.
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There was no one, when I was in school, who talked about going in and blowing up students. The teachers were very stern and hateable, but nobody ever mentioned murder.
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My best stories come out of nowhere, with no concern for form at all.
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I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.
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I distrust thought. The interior life is highly overrated. I don’t like the wispy and the vague… or inductive logic in any kind of writing. I’m impatient with writers who make too much sense. The better things that I’ve done have come to me by instinct.
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My stories do have plot. They’re not just scattered language; they’re controlled, toward an end.
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I don’t really care about plot; I want to have a page-turner in a different kind of way.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I wouldn’t buy somebody’s album on a dare if they called him a musician’s musician. I don’t write to be a writer’s writer. I don’t want to be like the little-magazine writer.
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I never pulled a loaded pistol on anybody, but it got around that I did. It got turned into lore. It’s a myth. There’s so much bad gun stuff.
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Love and despair go hand in hand.
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What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.
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I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.
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The wild stuff is all so overrated. Drinking, you don’t feel good all the time. There’s a lot of down, a lot of misery.
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I always intended to be light and open. I misjudged the American audience.
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A writers job is to destroy and then to build the thing back up again by a chosen means.
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Where is the angry machine of all of us? Why is God such a blurred magician? Why are you begging for your life if you believe those things? Prove to me that you’re better than the rabbits we ate last night.
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Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That’s a supreme joy. And why the characters keep showing up.
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The first two drinks were always wonderfully liberating. You think better. You’re braver, and you’ll say anything. If you could just hang in there with two or three, it’d be beautiful. The trouble was I couldn’t.
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Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.
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Professional Southerners sicken me.
BARRY HANNAH