“There was no one, when I was in school, who talked about going in and blowing up students. The teachers were very stern and hateable, but nobody ever mentioned murder.”

Some writers are curiously unmusical. I don’t get it. I don’t get them. For me, music is essential. I always have music on when I’m doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn’t think you ever had.

You need to see a bit of hell now and then. That, and great joy.

I’ll tell you why I like writing: it’s just jumping into a pool. I get myself into a kind of trance. I engage the world, but it’s also wonderful to just escape. I try to find the purities out of the confusion. It’s pretty old-fashioned, but it’s fun.

I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.

I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.

I always intended to be light and open. I misjudged the American audience.

I wouldn’t buy somebody’s album on a dare if they called him a musician’s musician. I don’t write to be a writer’s writer. I don’t want to be like the little-magazine writer.

Love and despair go hand in hand.

When you’re not involved, other people’s unhappiness seems to be about the funniest damn thing on earth because you think you can solve it, that you are God, that you are above this, and that their unhappiness is just such useless toil and agony. If it’s you, it ceases to be a comedy.

What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.

I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.

I don’t really care about plot; I want to have a page-turner in a different kind of way.

I found out about reviews early on. They’re mostly written by sad men on bad afternoons. That’s probably why I’m less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.

The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.

I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I’ve had to work against that because it can be a wrecking posture.

Professional Southerners sicken me.

In school, I guess I was a difficult, know-it-all type of student… I was always complaining that music education was too academic.

My students are constantly amazing me.

In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

As a student I learned from wonderful teachers and ever since then I’ve thought everyone is a teacher.

Students for a Democratic Society was founded in 1961.

Students may not learn what we think we are teaching them and what they learn may not be what we intended to teach them at all.

I was perhaps the worst student you have ever seen. You know, I thought I was stupid, all my classmates thought I was stupid, so there was general agreement.

Where once the student was taught that the unexamined life was not worth living, he is now taught that the profitably lived life is not worth examining.