I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I’ve had to work against that because it can be a wrecking posture.
BARRY HANNAHMost novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.
More Barry Hannah Quotes
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I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.
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I hate to be fatalistic about it, but alcoholism, it’s just in your genes. We had some of it in my family, and it just got me.
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The Deep South might be wretched, but it can howl.
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I wouldn’t buy somebody’s album on a dare if they called him a musician’s musician. I don’t write to be a writer’s writer. I don’t want to be like the little-magazine writer.
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Where is the angry machine of all of us? Why is God such a blurred magician? Why are you begging for your life if you believe those things? Prove to me that you’re better than the rabbits we ate last night.
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I wake my wife up at 3 a.m. and say, “Listen to this!”
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Voice comes to you through a spell, a trance. The best voices are not you… they’re a little away from you.
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What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.
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Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.
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I distrust thought. The interior life is highly overrated. I don’t like the wispy and the vague… or inductive logic in any kind of writing. I’m impatient with writers who make too much sense. The better things that I’ve done have come to me by instinct.
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Love and despair go hand in hand.
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A writers job is to destroy and then to build the thing back up again by a chosen means.
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Professional Southerners sicken me.
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There was no one, when I was in school, who talked about going in and blowing up students. The teachers were very stern and hateable, but nobody ever mentioned murder.
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I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.
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The point is to strip down, get protestant, then even more naked. Walk over scorched bricks to find your own soul. Your heart a searching dog in the rubble.
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The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.
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Most novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.
BARRY HANNAH -
I do believe that as you write more and age, the arrogance and most of the vanity goes. Or it is a vanity met with vast gratitude, that you were hit by something as you stood in the way of it, that anybody is listening.
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I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.
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You’ve got to lie to stay halfway interested in yourself.
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My stories do have plot. They’re not just scattered language; they’re controlled, toward an end.
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I found out about reviews early on. They’re mostly written by sad men on bad afternoons. That’s probably why I’m less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.
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I don’t really believe in a creative-writing major as an undergraduate. It’s a bad idea, terrible. I’ve met creative-writing majors from other places and they don’t know a goddamn thing. They’re the worst students. They just think they’re good because they could pass.
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Literature is the history of the soul.
BARRY HANNAH