In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
BILL VIOLAIn the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
More Bill Viola Quotes
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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
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It only takes a second for an impression to become a vision.
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I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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I like to keep the meanings in my work flowing and open.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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There is an invisible world out there, and we are living in it.
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We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
BILL VIOLA