We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLAI don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
More Bill Viola Quotes
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
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There is an invisible world out there, and we are living in it.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
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It only takes a second for an impression to become a vision.
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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
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Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
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I would prefer to be forgotten, then rediscovered in a different age.
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Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA