“I distrust thought. The interior life is highly overrated. I don’t like the wispy and the vague… or inductive logic in any kind of writing. I’m impatient with writers who make too much sense. The better things that I’ve done have come to me by instinct.”

I don’t really believe in a creative-writing major as an undergraduate. It’s a bad idea, terrible. I’ve met creative-writing majors from other places and they don’t know a goddamn thing. They’re the worst students. They just think they’re good because they could pass.

The point is to strip down, get protestant, then even more naked. Walk over scorched bricks to find your own soul. Your heart a searching dog in the rubble.

Some writers are curiously unmusical. I don’t get it. I don’t get them. For me, music is essential. I always have music on when I’m doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn’t think you ever had.

You need to see a bit of hell now and then. That, and great joy.

I’ll tell you why I like writing: it’s just jumping into a pool. I get myself into a kind of trance. I engage the world, but it’s also wonderful to just escape. I try to find the purities out of the confusion. It’s pretty old-fashioned, but it’s fun.

I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.

I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.

I always intended to be light and open. I misjudged the American audience.

I wouldn’t buy somebody’s album on a dare if they called him a musician’s musician. I don’t write to be a writer’s writer. I don’t want to be like the little-magazine writer.

Love and despair go hand in hand.

When you’re not involved, other people’s unhappiness seems to be about the funniest damn thing on earth because you think you can solve it, that you are God, that you are above this, and that their unhappiness is just such useless toil and agony. If it’s you, it ceases to be a comedy.

What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.

I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.

I don’t really care about plot; I want to have a page-turner in a different kind of way.

I found out about reviews early on. They’re mostly written by sad men on bad afternoons. That’s probably why I’m less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.

The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.

Considering how much we are all given to discuss the characters of others, and discuss them often not in the strictest spirit of charity.

I don’t like Paris so much.

I do not know how much they see through the Mist. I doubt it would matter to them if they knew the truth. Sometimes mortals can be more horrible than monsters.

I actually don’t think that I’m that much smarter than anybody else. It’s just that I frequently just seem to know what to do, and I think that’s wisdom.

I’d very much like to be Ava Gardner. She is sex.

It’s good to trust others but, not to do so is much better.

I’m very much a family person.

There’s so much to be afraid of.