“My stories do have plot. They’re not just scattered language; they’re controlled, toward an end.”

My best stories come out of nowhere, with no concern for form at all.

I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.

Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.

I wake my wife up at 3 a.m. and say, “Listen to this!”

Voice comes to you through a spell, a trance. The best voices are not you… they’re a little away from you.

I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.

If you are able to explain suffering, a man once told him, you weren’t really there.

Most novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.

The wild stuff is all so overrated. Drinking, you don’t feel good all the time. There’s a lot of down, a lot of misery.

I hate to be fatalistic about it, but alcoholism, it’s just in your genes. We had some of it in my family, and it just got me.

Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That’s a supreme joy. And why the characters keep showing up.

A writers job is to destroy and then to build the thing back up again by a chosen means.

I distrust thought. The interior life is highly overrated. I don’t like the wispy and the vague… or inductive logic in any kind of writing. I’m impatient with writers who make too much sense. The better things that I’ve done have come to me by instinct.

I never pulled a loaded pistol on anybody, but it got around that I did. It got turned into lore. It’s a myth. There’s so much bad gun stuff.

You’ve got to lie to stay halfway interested in yourself.

The first two drinks were always wonderfully liberating. You think better. You’re braver, and you’ll say anything. If you could just hang in there with two or three, it’d be beautiful. The trouble was I couldn’t.

Each man is contained and constrained, on entering social life, to fit his own life in, just as he fits his words and thoughts into a language that was formed without and before him and which is impervious to his power.

Entering the game, as it were, whether of belonging to a nation or of using a language.

Become fluent in the language of letting go. Learn to give people up before they hurt you beyond repair.

It’s always better to speak the language of the team. Not only for the direct contact with everyone.

What I mean is that what composes an event is always extracted from a situation, always related back to a singular multiplicity, to its state, to the language that is connected to it, etc.

I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

Man does not exist prior to language, either as a species or as an individual.

We cannot look at the Latino community and preach ‘one language.’ No one gave them an English test before they sent them to Iraq to fight for America.