It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
BEN MARCUSThe context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
More Ben Marcus Quotes
-
-
I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
BEN MARCUS -
It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
BEN MARCUS -
Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
BEN MARCUS -
I’m attracted to how fraught the parent-child relationship is, swerving so easily between love and hostility, with almost no plausible way to end, unless someone dies.
BEN MARCUS -
I love the way dates in a text make us think that truth will follow.
BEN MARCUS -
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS -
The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
BEN MARCUS -
My parents showed me by example that they could balance their work and family lives.
BEN MARCUS -
My goal, with whatever I’m working on, is to lose track of time.
BEN MARCUS -
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS -
Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUS -
To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
BEN MARCUS -
I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
BEN MARCUS -
I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
BEN MARCUS -
My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
BEN MARCUS -
Suspense left my life a long time ago, now it has returned. I do not care for it.
BEN MARCUS -
Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
BEN MARCUS -
Rain is used as white noise when God is disgusted by too much prayer, when the sky is stuffed to bursting with the noise of what people need.
BEN MARCUS -
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUS -
A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
BEN MARCUS -
Without sound, celebration and grief look nearly the same.
BEN MARCUS -
Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
BEN MARCUS -
In certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
BEN MARCUS -
Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUS -
A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUS -
I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
BEN MARCUS