I love a film where I get squished by two dumpsters or I fly through the air.
ALAN CUMMINGI was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
More Alan Cumming Quotes
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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I have no regrets in my life even the crazy things I’ve been in. It all made me the I am today and I wouldn’t change anything. I’m happy with who I am!
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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I think people deny themselves by putting themselves into categories.
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Sometimes people do you a favour when they drop out of your life.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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You should *have* an experience; it shouldn’t just *be* an experience.
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Once in a while it’s good to challenge yourself in a way that’s really daunting.
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Most people will never know anything beyond what they see with their own two eyes.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
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I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.
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Performing a one-man Macbeth feels like the greatest challenge.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
ALAN CUMMING