I think American actors are much more intimidated by Shakespeare.
ALAN CUMMINGI come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
More Alan Cumming Quotes
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There are some days when you don’t feel like being Alan Cumming.
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You should *have* an experience; it shouldn’t just *be* an experience.
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Sometimes people do you a favour when they drop out of your life.
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Macbeth was the first play I ever read.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.
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I’m not a fan of Twitter.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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I have no regrets in my life even the crazy things I’ve been in. It all made me the I am today and I wouldn’t change anything. I’m happy with who I am!
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When there’s an adult person who’s scaring you, you grow up pretty quickly.
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It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.
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Working with good people is always good.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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I wouldn’t do my roles if I really hated it. I’ve done things I hated, but I didn’t go into them thinking I would hate them. I want to have fun. I don’t want to go to work and not enjoy it.
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I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
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In my first year at drama school, I did this kids’ show called ‘Let’s See.
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I’m Scottish first, and it’s odd to hear that I’m a Scottish-American.
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My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
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I like working on things that are very different and that involve different disguises.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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I don’t avoid anyone but I always think some people hate me.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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