“It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.”

In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.

It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.

You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.

Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.

Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.

It is actually important to do songs they’re familiar with. Also, I love those songs. In a way, I think I’ve changed people’s perceptions of what a cabaret show like this could be.

A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.

My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.

When there’s an adult person who’s scaring you, you grow up pretty quickly.

It is not hard to feel like an outsider. I think we have all felt like that at one time or another.

It’s really rare for film directors to be that interested in things other than themselves.

I’m Scottish first, and it’s odd to hear that I’m a Scottish-American.

Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.

It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.

I have no regrets in my life even the crazy things I’ve been in. It all made me the I am today and I wouldn’t change anything. I’m happy with who I am!

For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.

Coaching staff: I know there’s days you look at that film and you want to kill me. I’m not playing defense, taking bad shots, getting too many techs. But you always believe that I can be the guy.

My wife’s trying to get me into yoga, and it’s gonna take me a while, but eventually I’m gonna have to.

Trust me. I get up 530-6 every morning. I’m in the gym. I run a couple miles. I lift weights, and then I’m at work until 8-9 o’clock at night.

The attitude that I’m going to show everybody, I’m going to work hard to get better and better.

Get his master’s in criminal justice, stayed out of trouble. Played for three different teams. Changed three different franchises around.

It is the irritation of getting tickets, packing, finding trains, lying in bouncing berths, washing without water, digging out passports, and fighting through customs.

I know when somebody is trying to get something out of me for clicks. And sometimes I feel like giving it to them.

When you’re the commander in chief, you’re the commander in chief on day one. You don’t get like a six-month grace period.