“I wouldn’t do my roles if I really hated it. I’ve done things I hated, but I didn’t go into them thinking I would hate them. I want to have fun. I don’t want to go to work and not enjoy it.”

I’ve actually found – especially doing my cabaret show – I’m connecting with people in a way I haven’t connected with them. I’ve found that when you’re open and honest, people respond to that, whatever you’re being open and honest about.

He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.

If they’re not seeing that their society sees gay people as equals, how could you tell them what they’re doing is wrong?

I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.

So the experts think we could have an AIDS-free generation in Africa by 2015, even if the mothers are positive.

Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.

In my first year at drama school, I did this kids’ show called ‘Let’s See.

I think people deny themselves by putting themselves into categories.

Once in a while it’s good to challenge yourself in a way that’s really daunting.

It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.

Sometimes people do you a favour when they drop out of your life.

I’d been depressed before, of course. But I’m talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I’m talking about the kind of depressed that floats in upon you like a fog.

I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.

It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.

So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!

Working with good people is always good.

There are three days that are really slow for restaurants – Thanksgiving, Christmas and Easter.

The thing I’d really like to see is the old London Bridge, with all the old buildings around it like Shakespeare’s Globe.

It is really only a theory of the aftermath of a bang.

I’m not really a mass market writer.

With Urban Secrets, I just really liked the idea of wandering around chatting to people.

It’s a bubble. It has to have intrinsic value. You have to really stretch your imagination to infer what the intrinsic value of Bitcoin is. I haven’t been able to do it. Maybe somebody else can.

I think the writer’s quite low down in the hierarchy really. But the fact that they took the piss out of Nicholas [Hynter] who, besides being the director, is also director of the National Theatre is, I’d have thought, slightly more risky.

You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.