My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
ALAN CUMMINGBe who you like as long as you mean it.
More Alan Cumming Quotes
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone’s tired, things get on top of them.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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Most people will never know anything beyond what they see with their own two eyes.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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I think American actors are much more intimidated by Shakespeare.
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It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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It’s really rare for film directors to be that interested in things other than themselves.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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I’m not a fan of Twitter.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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