“I don’t avoid anyone but I always think some people hate me.”

With Urban Secrets, I just really liked the idea of wandering around chatting to people.

Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.

Be who you like as long as you mean it.

I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.

I like working on things that are very different and that involve different disguises.

If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.

You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.

I think American actors are much more intimidated by Shakespeare.

Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.

If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?

You should *have* an experience; it shouldn’t just *be* an experience.

Most people will never know anything beyond what they see with their own two eyes.

You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.

In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.

It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.

You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.

All about how he developed his career and his creativity as a comedian. Lots of what he talks about is relevant to anyone in the creative arts.

It could never happen for anyone they way it happened for me. It was all an accident.

I’ve never understood why we would want to deny all the joys – and the challenges – of marriage to anyone.

Anyone with an Internet connection and a few dollars can obtain personal information they should never have access to, including a user’s date of birth, e-mail address, or estimated income.

Anyone who can walk to the welfare office can walk to work.

I’d never do a film that would hurt anyone’s sentiments, be it Indian or not.

We would consider anyone that we think is right.

Anyone who votes for McGowan is 100 percent right.