I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.
ALAN CUMMINGIn terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
More Alan Cumming Quotes
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?
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Sometimes people do you a favour when they drop out of your life.
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I don’t avoid anyone but I always think some people hate me.
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Be who you like as long as you mean it.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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I think people deny themselves by putting themselves into categories.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.
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I’m not a fan of Twitter.
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My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
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Performing a one-man Macbeth feels like the greatest challenge.
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I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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I think American actors are much more intimidated by Shakespeare.
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Most people will never know anything beyond what they see with their own two eyes.
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In my first year at drama school, I did this kids’ show called ‘Let’s See.
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I wouldn’t do my roles if I really hated it. I’ve done things I hated, but I didn’t go into them thinking I would hate them. I want to have fun. I don’t want to go to work and not enjoy it.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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