“It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.”

You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.

In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.

You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.

Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.

Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.

It is actually important to do songs they’re familiar with. Also, I love those songs. In a way, I think I’ve changed people’s perceptions of what a cabaret show like this could be.

A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.

My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.

When there’s an adult person who’s scaring you, you grow up pretty quickly.

It is not hard to feel like an outsider. I think we have all felt like that at one time or another.

It’s really rare for film directors to be that interested in things other than themselves.

I’m Scottish first, and it’s odd to hear that I’m a Scottish-American.

Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.

It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.

I have no regrets in my life even the crazy things I’ve been in. It all made me the I am today and I wouldn’t change anything. I’m happy with who I am!

For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.

Now he has to fear the backlash against himself and his loved ones when he was only doing his job.

The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.

To lose the approbation of my dog is a thing too horrible to contemplate.

It isn’t easy being a brilliant inventor, always alone. Always misunderstood. Easy to turn bitter, make horrible mistakes. People are more difficult to work with than machines. And when you break a person, he can’t be fixed. -Hephaestus

I think tattoos are horrible. It’s like living in a Pucci dress full-time.

It’s horrible getting older. I mean, it’s wonderful because you see the circles of life get completed. But it’s horrible losing your looks.

I think it’s horrible that people have to be told. Don’t smoke! Everybody knows it’s bad for the health. But they have to forbid it.

However horrible the incidents of war may be, the soldier who is called upon to offer and to give his life for his country is the noblest development of mankind.