“Working with good people is always good.”

So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!

Kids are more genuine. When they come up and want to talk to you, they don’t have an agenda. It’s more endearing and less piercing to your aura.

I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.

Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.

The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.

I’m quite good, though I say it myself, at making strangers feel at ease.

I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.

There are some days when you don’t feel like being Alan Cumming.

Macbeth was the first play I ever read.

My mum always told me I was precious, while my dad always told me I was worthless. I think that’s a good grounding for a balanced life.

Performing a one-man Macbeth feels like the greatest challenge.

Some things are just really difficult to do. That’s what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.

I started to itch to do a play again and ‘Macbeth’ came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.

When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.

I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.

I don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.

I got a chance to work with Stallone and De Niro – pretty much sums it up for me. You can tell where you’re going in your career by the company you keep.

With complete consecration comes perfect peace.

I broke in with four hits, and the writers promptly declared they had seen the new Ty Cobb. I

I was the kid a lot of other mothers wouldn’t let you play with.

With man, the life of the body depends on the life of the spirit.

In my divorce, I stood up and said to my ex-wife, ‘Hey, I messed up. This had nothing to do with you.

The sky is filled with stars, invisible by day.

When you are in the infrastructure sector, you’ve to work along with the government.