I think people deny themselves by putting themselves into categories.
ALAN CUMMINGI had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
More Alan Cumming Quotes
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With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.
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I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.
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Actually I like working kind of fast, because if you got it, why bother doing it over and over?
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You should *have* an experience; it shouldn’t just *be* an experience.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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When there’s an adult person who’s scaring you, you grow up pretty quickly.
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Working with good people is always good.
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If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?
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Kids are more genuine. When they come up and want to talk to you, they don’t have an agenda. It’s more endearing and less piercing to your aura.
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I love a film where I get squished by two dumpsters or I fly through the air.
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I don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.
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I’ve actually found – especially doing my cabaret show – I’m connecting with people in a way I haven’t connected with them. I’ve found that when you’re open and honest, people respond to that, whatever you’re being open and honest about.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
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It’s really rare for film directors to be that interested in things other than themselves.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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I’m not a fan of Twitter.
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Performing a one-man Macbeth feels like the greatest challenge.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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I started to itch to do a play again and ‘Macbeth’ came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
ALAN CUMMING