“I’m for the freedom of expression, given that it will be under strict control.”

Life is rather like a tin of sardines – we’re all of us looking for the key.

f they’d been working with Alec Guinness, for instance, they wouldn’t have known they were born if they’d not towed the line!

I’ve never seen the point of the sea, except where it meets the land. The shore has a point. The sea has none.

There’s very little in the substance of [THE LADY IN THE VAN] which is not fact though some adjustments have had to be made.

And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours

At eighty things do not occur; they recur.

If you think squash is a competitive activity, try flower arranging.

Books are not about passing time. They’re about other lives. Other worlds.

I write plays about things that I can’t resolve in my mind. I try to root things out.

But the headmaster happened to have been to Cambridge and decided to try and push some of us towards Oxford and Cambridge.

That’s a bit like asking a man crawling across the Sahara whether he would prefer Perrier or Malvern water.

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader’s imagination as the characters in their books.

…she felt about reading what some writers felt about writing: that it was impossible not to do it and that at this late stage of her life she had been chosen to read as others were chosen to write.

To read is to withdraw.To make oneself unavailable. One would feel easier about it if the pursuit inself were less…selfish.

Over the years Miss Shepherd was visited by a succession of social workers so the character in the play is a composite figure.

The Breed never dies. Sapper, Buchan, Dornford Yates, practitioners in that school of Snobbery withViolence that runs like a thread of good-class tweed through twentieth-century literature.