A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
ALAIN DE BOTTONMost of what makes a book ‘good’ is that we are reading it at the right moment for us.
More Alain de Botton Quotes
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In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
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Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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Because it’s bad enough not getting what you want, but it’s even worse to have an idea of what it is you want and find out at the end of the journey that it isn’t, in fact, what you wanted all along.
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The company of certain people may excite our generosity and sensitivity, while that of others awakens our competitiveness and envy.
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Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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The mind does most of its best thinking when we aren’t there. The answers are there in the morning.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
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Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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The difference between hope and despair is a different way of telling stories from the same facts.
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You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.
ALAIN DE BOTTON