Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.
ALAIN DE BOTTONJourneys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
More Alain de Botton Quotes
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Most anger stems from feelings of weakness, sadness and fear: hard to remember when one is at the receiving end of its defiant roar.
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Being content is perhaps no less easy than playing the violin well: and requires no less practice.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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You need a long hard day’s work to reveal the logic of the craving for very bad tv and alcohol.
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I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
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For paranoia about ‘what other people think’ : remember that only some hate, a very few love – and almost all just don’t care.
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Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
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Reputation matters so much only because people so seldom think for themselves.
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It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
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Which seems no less relevant in the secular realm than in the religious one-that we have within us a precious, childlike, vulnerable core which we should nourish and nurture on its turbulent journey through life.
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
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What we seek, at the deepest level, is inwardly to resemble, rather than physically to possess, the objects and places that touch us through their beauty.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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