The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
ALAIN DE BOTTONArt holds out the promise of inner wholeness.
More Alain de Botton Quotes
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True love is a lack of desire to check one’s smartphone in another’s presence.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
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People only get really interesting when they start to rattle the bars of their cages.
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Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
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Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
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An argument in a couple: 2 people attempting to introduce each other to important truths – by panicked shouting.
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The greatest works of art speak to us without knowing us.
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Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
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You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.
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Serious journalists often imagine society is adrift because people don’t know certain things.
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Feeling lost, crazy and desperate belongs to a good life as much as optimism, certainty and reason.
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Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.
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When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.
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