It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
ALAIN DE BOTTONIt’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
More Alain de Botton Quotes
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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The more closely we analyze what we consider ‘sexy,’ the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
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Which seems no less relevant in the secular realm than in the religious one-that we have within us a precious, childlike, vulnerable core which we should nourish and nurture on its turbulent journey through life.
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It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
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Maturity: the confidence to have no opinions on many things.
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One kind of good book should leave you asking: how did the author know that about me?
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Unhappiness can stem from having only one perspective to play with.
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He did not mean to depress us, rather to free us from expectations which inspire bitterness. It is consoling, when love has let us down, to hear that happiness was never part of the plan.
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The difference between hope and despair is a different way of telling stories from the same facts.
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The only people we can think of as normal are those we don’t yet know very well.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
ALAIN DE BOTTON