We are not always humiliated by failing; we are humiliated only if we first invest our pride and sense of worth in a given achievement and then do not reach it.
ALAIN DE BOTTONWhat kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
More Alain de Botton Quotes
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The difference between hope and despair is a different way of telling stories from the same facts.
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We should not feel embarrassed by our difficulties, only by our failure to grow anything beautiful from them.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
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Memory is… similar to anticipation: an instrument of simplification and selection.
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It was no longer her absence that wounded me, but my growing indifference to it. Forgetting, however calming, was also a reminder of infidelity to what I had at one time held so dear.
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Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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Every adult life could be said to be defined by two great love stories: the story of our quest for sexual love and the story of our quest for love from the world.
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A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
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The longing for destiny is nowhere stronger than in our romantic life.
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