As adults, we try to develop the character traits that would have rescued our parents.
ALAIN DE BOTTONEvery realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
More Alain de Botton Quotes
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Our disrespect for thinking: someone sitting in a chair, gazing out of a window blankly, always described as ‘doing nothing’.
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In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water.
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Differ though we might with Christianity’s view of what precisely our souls need, it is hard to discredit the provocative underlying thesis.
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The materialistic view of happiness of our age starkly revealed in our understanding of the word “luxury.
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Unhappiness can stem from having only one perspective to play with.
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Everyone returns us to a different sense of ourselves, for we become a little of who they think we are.
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We should read other people’s books in order to learn what we feel; it is our own thoughts we should be developing, even if it is another writer’s thought that help us to do so.
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I passionately believe that’s it’s not just what you say that counts, it’s also how you say it – that the success of your argument critically depends on your manner of presenting it.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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The best cure for one’s bad tendencies is to see them in action in another person.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.
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We are not always humiliated by failing; we are humiliated only if we first invest our pride and sense of worth in a given achievement and then do not reach it.
ALAIN DE BOTTON