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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap

Alain de Botton

The finest proof of our loyalty toward one another was our monstrous disloyalties towards everyone else.
ALAIN DE BOTTON

Another Disloyalty Everyone Finest Loyalty Monstrous Proof Toward
I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
ALAIN DE BOTTON

Day General Life Optimistic Person Pessimistic Take Terrific Thing
Our responses to the world are crucially moulded by the company we keep, for we temper our curiosity to fit in with the expectations of others.
ALAIN DE BOTTON

Compare Crucial Expectation Keep Mould Other Response Temper World
A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
ALAIN DE BOTTON

Beauty Capable Excite Feature Sense Spectator Successful Work
We should read other people’s books in order to learn what we feel; it is our own thoughts we should be developing, even if it is another writer’s thought that help us to do so.
ALAIN DE BOTTON

Book Help Hope Order Other People Reckless
Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
ALAIN DE BOTTON

Allow Call Continuous Conversation Dead Make Misuse Opportunity Period Presence Rhythm
I learnt to stop fantasising about the perfect job or the perfect relationship because that can actually be an excuse for not living.
ALAIN DE BOTTON

Actual Excuse Fantasies Job Learn Live Perfect Relationship
There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
ALAIN DE BOTTON

Choice Inevitable Long Loss Need Regret Return Time
Bitterness: anger that forgot where it came from.
ALAIN DE BOTTON

Anger Bitterness Came Forget
Artistic accounts involve severe abbreviations of what reality will force upon us.
ALAIN DE BOTTON

Abbreviation Account Artistic Force Involve Reality Serve
Everyone wants a better life: very few of us want to be better people.
ALAIN DE BOTTON

Better Everyone Few Life People Want
Philosophy had supplied Socrates with convictions in which he had been able to have rational, as opposed to hysterical, confidence when faced with disapproval.
ALAIN DE BOTTON

Conviction Disapproval Face Oppose Philosophy Rational Supply
Which seems no less relevant in the secular realm than in the religious one-that we have within us a precious, childlike, vulnerable core which we should nourish and nurture on its turbulent journey through life.
ALAIN DE BOTTON

Childlike Journey Life Nourish Precious Relevant Secular Seem Vulnerable
The materialistic view of happiness of our age starkly revealed in our understanding of the word “luxury.
ALAIN DE BOTTON

Age Happiness Luxury Materialistic Reveal Starkly Understanding
In the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation.
ALAIN DE BOTTON

Anxiety Between Day Gap Humiliation One Present Wish
To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
ALAIN DE BOTTON

Concern Flourish Listen Love Note Object Ourselves Presence Register Shown View

to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap

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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap

Related Topics

Popular Authors

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