There is real danger of a disconnect between what’s on your business card and who you are deep inside, and it’s not a disconnect that the world is ready to be patient with.
ALAIN DE BOTTONA successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
More Alain de Botton Quotes
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Mental health: having enough safe places in your mind for your thoughts to settle.
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One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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He did not mean to depress us, rather to free us from expectations which inspire bitterness. It is consoling, when love has let us down, to hear that happiness was never part of the plan.
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It’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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True love is a lack of desire to check one’s smartphone in another’s presence.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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I feel that the great challenge of our time is the communication of ideas.
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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True respectability stems not from the will of the majority but from proper reasoning.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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