Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
ALAIN DE BOTTONArt cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
More Alain de Botton Quotes
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Those who divorce aren’t necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.
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How generous was it to offer gifts to people one knew would never accept them?
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Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
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There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
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Only by declaring a book completely finished can one start to see how much remains to be done on it.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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The need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
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The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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