We should not feel embarrassed by our difficulties, only by our failure to grow anything beautiful from them.
ALAIN DE BOTTONMost of us still caged within careers chosen for us by our not entirely worldly 18-22 year old selves.
More Alain de Botton Quotes
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The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
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Art holds out the promise of inner wholeness.
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A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
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Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
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One’s doing well if age improves even slightly one’s capacity to hold on to that vital truism: “This too shall pass.
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We often lose our tempers not with those who are actually to blame; just with those who love us enough to forgive us our foul moods.
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Literature is the greatest reality simulator – a machine that puts you through infinitely more situations than you can ever directly witness.
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The largest part of what we call ‘personality’ is determined by how we’ve opted to defend ourselves against anxiety and sadness”.
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We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.
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We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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Our disrespect for thinking: someone sitting in a chair, gazing out of a window blankly, always described as ‘doing nothing’.
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Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
ALAIN DE BOTTON