“People say releasing an album is like giving birth, but it’s more like having a gallbladder operation.”

My brothers and sisters hated me because I was an only child.

Not only are they just great, nice guys; they’re some of the best musicians you’re likely to find.

So then why get upset if somebody like me Tries to look at the world just a bit differently?

What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist’s performance on whether or not they had a good seat?

In fact, when I come up with an idea for a parody I try to resist the urge to Google the idea to see if someone has done it already because the answer is almost always, “Yes, of course they have, they’ve thought of it!”

I’m very analytical, I’m very precise.

I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny.

Midget wrestling on channel 3, it costs me 50 bucks a month.

I like the guitar-driven music of Nirvana at its peak. At that point, I thought there was a lot of really exciting music coming out.

And then I’ll try and arrange them in a way that they would tell a semi-cohesive story.

I’m a music fan, and I can listen to the radio, or music, without thinking, “How am I going to screw this up?” [Laughs] If I’m really actively trying to think of a parody, then I’ll have my antenna out, and be a little more proactive about it.

If I could find the right kind of property, get tied in with the right movie, I’d love to be involved, but I just find it hard to be motivated to do another screenplay right now.

I have very mixed feelings about it. On one hand, I’m concerned that the rampant downloading of my copyright-protected material over the Internet is severely eating into my album sales and having a decidedly adverse effect on my career.

Then I try to come up with ideas for parodies. And 99% of those ideas are horrible.

When I started out, I didn’t feel like I was really accepted in the music or comedy communities, and I was somewhere on the edge, but now I feel like I’m accepted in both, which is extremely gratifying.

I don’t like to label myself. I know I’m very hard to pigeonhole.

My album focuses on unrequited love quite a lot because I don’t think it’s spoken about enough in music. I’ve been through it myself and I found it hard to find songs that were about that, so I’ve definitely tried to make that a part of my album.

It takes a lot of people years to turn a negative into a positive. It takes me, like, an album.

What I’m hoping is that every album I’m going to do will give my audience something different, and that they’ll grow as I do.

It’s very hard to be an artist, on my first album, and I’m like asking for money for a music video for every song – it’s so hard to do. You have to pick your battles for sure, but I definitely want – and I’ve always worked to make it all connect – for all of it to feel cohesive.

When I first started writing the album, “Cry Baby” was a song that I really wanted to write because it represented all of these personal insecurities that I had for a long time.

People don’t make albums any more. It’s always about singles. I wanted to take that old-school approach.

Cry Baby wasn’t necessarily a baby theme but I understand what they’re saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.

I’m obsessed with the venue and the people so it’s going to be really fun.The last couple of tours I didn’t have anything like that because of the budget, so I’m super excited because this is really going to bring the album to life.